10-25-2024

This show was rescheduled from July 12 2024.

Dayna Kurtz has been named Female Songwriter of the Year by the National Academy of Songwriters. Norah Jones and Bonnie Raitt have raved about her in interviews, and she’s performed on such high-profile radio shows as World Cafe, Mountain Stage and NPR’s Morning Edition. She’s toured with and/or opened for the likes of Elvis Costello, Antony and the Johnsons, Richard Thompson, Rufus Wainwright, B.B. King, Dr. John, Richie Havens, Keren Ann, Joe Henry, Olu Dara, Chris Whitley, Richard Buckner, Ladysmith Black Mambazo and the Blind Boys of Alabama.

Dayna’s live record with career spanning tracks, culled from her 2016 Dutch theater tour with guitarist Robert Maché manages to capture the heart-stopping edge-of-your-seat mesmerized silence that she seems to magic from her audiences. “I began my career as background music in crowded beach bars,” explains Kurtz, “and I used to make a game of seeing what it would take to shut people up. I got good at it. Although there’s some tricks to it, it was really more a kind of witchcraft than anything - I learned to draw whatever power and attention there was in the room being sent my way and sent it back out again. Other people got caught in the loop and started paying attention too. And as long as the crowd wasn’t shitfaced or distracted by a TV I could usually get them. It was good training, even now that my audiences are more inclined to listening already anyway. I write music that requires some attention.”

On her work and friendship with Robert Mache (Continental Drifters, Steve Wynn) Kurtz says, “I’ve loved Robert’s playing for such a long time, and we’ve been friends longer than we’ve been touring partners – he was one of the first musicians to befriend me in New Orleans. That we had such undeniable chemistry has been one of the greater recent gifts of my life, and I just wanted to document it somehow, and quite a few people in my life including my label have suggested a live record. I’d been hesitant, only because there’s only a few live records I listen to with the devotion I’d give a beloved studio record. It’s notoriously really difficult to capture the feeling of being there in the dark experiencing it. Then the challenge of it intrigued me.”

Best-selling author Steve Almond spends an entire chapter singing her praises in his book about music obsession, Rock and Roll Will Save Your Life. “Listening to Dayna’s voice was like a drug. It wasn’t just her tone or her range or her power, which,  if I knew anything about vocal technique, I could praise at length. No, it was something emotional. Her voice sounded like desperation hurled into the world with exquisite control.”

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