Bull Run Restaurant
HOURS:
Wednesday & Thursday: 4PM - 9PM
Friday & Saturday: 4PM - 10PM
SUNDAY BRUNCH 10AM - 2PM
Sunday Dinner 2PM - 8PM
Holiday hours vary * Closed Sun. July 4
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Information Wheelchair patrons are most easily accommodated in the Sawtelle Room at designated table #21. Please enter through our front entrance on Route 2A for ramp access.

Doors open 2 hours prior to performance time to give patrons time to eat & drink. Full service cocktails & dinner are available right in the same room with your show. Your ticket confirmation is your reservation.
Cocktails & dessert are available during the performance as well. Please advise your server of any allergies or accommodations in your diet.

Please be aware of scammers claiming to have tickets for sale. Only tickets purchased through Bull Run are valid.

By purchasing tickets at Bull Run, you agree to our ticket policy, ticket fees & terms of service. 

Dinner:

Wednesday through Sunday from 4pm
Sunday Brunch:
10am - 2pm
Sunday Dinner:
2:30pm - 8pm

215 Great Rd., Rt. 2A
Shirley, MA 01464
Front Desk:  978-425-4311

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An acoustic evening with DWAYNE HAGGINS

An acoustic evening with DWAYNE HAGGINS
4-13-2023 (Ballroom)

Dwayne Haggins has been described as “the love child of Sam Cooke and Mississippi John Hurt.” “The John Legend of rockabilly.” And recently, “the ‘what-took-you-so-long?’ fusion of Elvis and Marvin Gaye.” But he is Dwayne Haggins, and his voice is his own. For Dwayne, every performance is a mission of discovery – of self and of song. Whether on the stage of a metropolitan concert hall or the makeshift bandstand of a neighborhood dive, you will find him exploring uncharted musical territories, listening for new ways to stir his influences into this night’s expression of his unique sound – strangely familiar, naturally mysterious, unmistakably his own.

The exponential growth of his devoted audience likely signals that a move to larger venues is inevitable, and perhaps imminent. Which is no doubt one reason why Dwayne's recent shows in local venues have taken on a new intensity, a sense of immense potential chafing at the limits of its current constraints. These days, each performance feels like a special occasion, a chance perhaps to experience the end of the beginning, the last page of prologue to a brand new story that already has the makings of a modern classic.

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